The Shadow Cabinet

Seventeen-year-old Rory’s life as she knows it is gone. Heartbroken, shaken and feeling more alone than ever, she can’t see how she can pick herself up and carry on as before. But something horrifying is stirring beneath London, and only Rory can stop it.

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By the beginning of The Shadow Cabinet, shit has really hit the fan. Callum is gone, Boo is running around the hospital trying to find the ghost of Stephen, meanwhile Rory stands vigil next to the body of Stephen wondering, among other things, what the hell happened to her life.

Maureen Johnson really knows how to keep a reader on their toes.

So, let’s review: after choking on some stew and getting the power to see ghosts, Rory is stalked and nearly murdered by ghost of Jack the Ripper-alike. Then, after being blown up by a terminus (a ghost gun, of sorts), she becomes one, meaning she can dispatch ghosts with a touch. While in therapy over all this, Rory’s therapist – who, as it turns out is the leader of a supernatural cult – tries to kidnap her to harness the power of the terminus for as yet unknown purposes. Stephen saves her, getting what turns out to be a fatal head wound in the process. And the night before Stephen died, he and Rory totally made out, finally.

If The Madness Underneath was about choices, then The Shadow Cabinet is all about consequences. Rory chose the ghost police over regular life. She got kicked out of Wexford then she ran away. There’s no turning back now. No contact with her parents, a new look to disguise her from the people who are looking from her (she’s a redhead now and I can only assume she looks great) and a new home with Thorpe, the creepy secret agent who turned out to be an okay guy.

The Shadow Cabinet is such an effective read because it’s a complete shake up of the status quo. All of the places and people Rory has spent her time with are gone now, along with any pretence that she’s going to have a normal life. Stephen, who has been the leader throughout is gone (at least for now) and the team have to figure out how to direct themselves without him. The thing simmering between him and Rory that was unspoken for so much of the first two books comes to the forefront. They’re in love, and Stephen being dead is only one of the things that makes their relationship complicated.

The supernatural landscape of London widens massively throughout this book – reality, as Rory has previously known it, is all but abandoned completely. In #3 we leave the muggles behind: ghosts get more complicated, the barriers between life and death get increasingly blurred and it turns out there are more secret ghost jobs than the ghost police.

All of which is to say… hopefully the final book will come out soon. Johnson has the first in a new series, Truly Devious coming out in January. Though I’m sure it’ll be great… I really would have preferred the final Shades book. I am way too invested in Rory and Stephen not to find out how it ends.

 

 

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The Madness Underneath

Surviving a near fatal attack by a ghostly killer will leave its mark. Seventeen-year-old Rory Deveaux has painful scars and deadly new powers at her fingertips. But without her secret ghost-fighting squad she feels brutally alone. She’s lying to her boyfriend, failing in class and, worse still, Rory fears that a terrifying horror stalks the streets of London.

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Turns out you can’t just deal with the ghost of Fake Jack the Ripper and be done with the spirit hunting scene. The Madness Underneath, book #2 in Maureen Johnson’s Shades of London series, finds Rory recuperating post-stabbing with her parents in Bristol (another British city, if you were wondering). After being pushed to sign the official secrets act in her hospital bed and removed from Wexford by her obviously traumatised parents, Rory has lost her only connections to her spiritual side: Stephen, Boo and Callum are incommunicado, and when – despite warnings not to from creepy government agents – Rory attempts to contact Stephen at his home, she finds that he, along with Callum and Boo, has vanished.

The first few chapters of The Madness Underneath have the feeling of 4 Privet Drive over the summer: nothing is going to happen until Rory goes back to boarding school. Which she does, weirdly, after the therapist she refuses to talk to decides to send her back to Wexford in a highly suspicious move.

#2 is a book of highly suspicious moves. But, honestly, when you’re trying to deal with the emotional trauma of your attempted murder by a ghost, as Rory is, you’re really too distracted by the simple tasks of getting through the day to worry about what your sketchy therapist(s) are up to.  

If I learned anything from this book, it’s to pay attention to what your sketchy therapist is up to.

The Madness Underneath retains all the best elements of The Name of the Star. Rory, though much changed from the beginning of the first book, continues to be witty and indomitably herself, even as she comes to terms with the crazy turn her life has taken. Johnson maintains the interjections of third person narrative, many of them even more gory and chilling than before. Despite a slight tonal change – I would say that the sequel is definitely darker – The Madness Underneath avoids all of the worst second book mistakes. The plot is pacey and has a strong sense of direction throughout, even when we’re unsure where, exactly, it’s taking us. I never once asked: why am I reading this? a question I regularly find myself pondering during book #2 of a YA series.

If the first book was part cute contemporary, part murder mystery then The Madness Underneath is emotional trauma with a side of how to avoid joining a cult.

We see the life at Wexford Rory had started to build slipping through her fingers. Her grades are bad, she’s lying to everyone and ghosts keep distracting her when she’s trying to make out with her boyfriend. I think we’ve all had the experience of feeling disconnected from our lives, like we are an audience member to our own fuck-ups, able to do nothing but sit and watch while the life we thought we wanted crashes and burns. At this point in the story, Rory is at a crossroads. She can either try and put the Ripper business behind her and get on with her life, or she can throw it all away and embrace the ghost hunter life completely.

Also, in book #2, Johnson takes the ships to the next level. Something I really appreciate in all Johnson’s books, is that the first guy is very rarely the guy. Though Jerome is cute and all, and maybe if Rory hadn’t choked on her dinner and developed the ability to see ghosts they would have worked out (though I doubt it), throughout the series so far Rory’s life has changed into a shape that Jerome simply doesn’t fit.

Stephen, on the other hand…

Oh, Stephen. Protective, but emotionally unavailable Stephen.

It is a truth of growing up that quite a lot of the people you spent your younger years with were just your friends/romantic partners because they were there. You had school in common, and when you’re a kid that is pretty much the entire world. Then something happens – maybe you get really into kayaking or socialism, or you develop the ability to see the dead – and suddenly a new influx of people enter your life who you bond with like you never have before.

This is why I love paranormal YA. Through all the insanity, there is a core relatability to the characters that draws me in every time.

So: We have ghost hunting, breakups, ships and creepy government agents who might actually be okay people. What more could you want? Other than book #3, obviously.

The Name of the Star

Louisiana teenager Rory Deveaux flies to London for the start of a new life at boarding school. But her arrival is overshadowed by a sudden outbreak of brutal murders, gruesome crimes mimicking the horrific work of Jack the Ripper.

‘Rippermania’ grabs hold of London, and police are stumped with few leads and no witnesses. Except one. Rory has seen their prime suspect on the school grounds. But her friend Jazza didn’t see anyone.

So why could only Rory see him? And what is he planning to do next?

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If you read the news, you might be aware that we have not had a good few weeks here in the UK. We have pretty much been lurching from one disaster to the next without much in the way of breathing space.

A distraction read was definitely needed, and it was with that in mind that I turned to one of my faves: Maureen Johnson, one of my personal YA queens. Last week I binge reread the first three Shades of London books.

These books have everything you need for a good distraction.

  • Boarding school
  • Love triangle (emerging)
  • Ghosts (especially snarky ones who love The Smiths)

Really anything else is extra, but in The Name of the Star, Johnson spoils us. It’s half cute contemporary American girl in London story, half murdery ghost hunting thriller. All the elements fit together in a way that is seamless and compulsively readable.

Rory is a fantastic protagonist. She’s a New Orleans-ean (is that a thing?) figuring out the etiquette of Londoners and her newfound ability to see ghosts – and she manages it all while resisting trope-ish special snowflake behaviour. She brings with her from the US a cast of eccentric characters in the form of her family and friends back in Benouville (Ben-ah-VEEL, for the uninitiated), stories about whom Johnson uses masterfully for both comedic and dramatic effect (you wouldn’t think that a story about a guy with eight freezers could leave you feeling like someone grabbed your entire heart with their fist, but during The Name of the Star, you’ll learn that it can).

Despite a good chunk of the first book being dedicated to the non-ghost related friends Rory makes at boarding school (who are mostly plot devices for what comes later, but sweet and entertaining nevertheless), it’s a pacey read. The majority of the novel is first person and narrated by Rory, but the narrative is interspersed with third person chapters concerning people related to, but also outside of, the immediate plot – murder victims, computer hackers and journalists. It all works together to create the sense of the ‘Rippermania’ that grips the city, the fear and the obsession that is fascinating, sickening and unavoidable.

There is always something terrible happening somewhere. If you’re lucky, it’s somewhere else.

(Spoiler alert: Rory is kind of an unlucky person.)

And then Rory meets the ghost police. They are all – for somewhat tenuous reasons – teenagers, and working for the arm of the government even the government doesn’t know exists. Stephen Dene, Bhuvana ‘Boo’ Chaudhri and Callum (who I have just this second realised doesn’t have a surname? If I’m wrong about that please correct me) AKA the ghostbusters are the kind of supernatural team we all want to join. Callum, the angry, let’s ‘kill’ ‘em all soldier for justice against evil spirits; Boo, friend of the ghosts; and Stephen, the emotionally unavailable head of operations I couldn’t help but fall in love with.

This book has the right levels of teen crushes, slow burn romance, epic teamwork and bloody murder – which it is, btw. It’s about Jack the Ripper: there’s no such thing as sparing us the gory details.

The Shades of London is a refreshing series from a great and witty writer. It has something for everyone – whether you’re looking for a cute contemporary, a paranormal with a slow burn romance or a thriller so intense it’ll make your blood run cold.